Making Ukraine: Negotiating, Contesting, and Drawing the Borders in the Twentieth Century (Hardcover)
Russia’s illegal annexation of Crimea in 2014 and the ongoing war in eastern Ukraine have brought scholarly and public attention to Ukraine’s borders. Making Ukraine aims to investigate the various processes of negotiation, delineation, and contestation that have shaped the country’s borders throughout the past century.Essays by contributors from various historical fields consider how, when, and under what conditions the borders that historically define the country were agreed upon. A diverse set of national and transnational contexts are explored, with a primary focus on the critical period between 1917 and 1954. Chapters are organized around three main themes: the interstate treaties that brought about the new international order in Eastern Europe in the aftermath of the world wars, the formation of the internal boundaries between Ukraine and other Soviet republics, and the delineation of Ukraine’s borders with its western neighbours. Investigating the process of bordering Ukraine in the post-Soviet era, contributors also pay close attention to the competing visions of future relations between Ukraine and Russia.Through its broad geographic and thematic coverage, Making Ukraine illustrates that the dynamics of contemporary border formation cannot be fully understood through the lens of a sole state, frontier, or ideology and sheds light on the shared history of territory and state formation in Europe and the wider modern world.
Olena Palko is a Leverhulme Early Career Fellow at Birkbeck, University of London. Constantin Ardeleanu is professor of history at the “Lower Danube” University of Galati and long-term fellow at the New Europe College, Bucharest.
“Making Ukraine brings together international experts to give for the first time a concise tour d’horizon about the border making of Ukraine from a historical perspective." H-Ukraine
“Douglas Hunter offers a fresh narrative that deepens our understanding not only of A.Y. Jackson’s personality and artistic development but also of the broader cultural history of Canada before and during the First World War. Meticulously researched, full of sharp insights and compelling, little-known details, Jackson’s Wars is a wonderfully immersive read – and a huge contribution to the study of Canadian art and history.” Ross King, author of Defiant Spirits: The Modernist Revolution of the Group of Seven and Mad Enchantment: Claude Monet and the Painting of Water Lilies
“Providing much of the book's original content is Hunter's impressive use of unpublished archival materials, featuring samples that are new, compelling, and important to our understanding of A.Y. Jackson. Hunter's flair for narrative carries the reader along while Jackson's remarkable writing eloquently and movingly details his experiences as a veteran.” Irene Gammel, author of I Can Only Paint: The Story of Battlefield Artist Mary Riter Hamilton
“Douglas Hunter offers a fresh narrative that deepens our understanding not only of A.Y. Jackson’s personality and artistic development but also of the broader cultural history of Canada before and during the First World War. Meticulously researched, full of sharp insights and compelling, little-known details, Jackson’s Wars is a wonderfully immersive read – and a huge contribution to the study of Canadian art and history.” Ross King, author of Defiant Spirits: The Modernist Revolution of the Group of Seven and Mad Enchantment: Claude Monet and the Painting of Water Lilies
“Providing much of the book's original content is Hunter's impressive use of unpublished archival materials, featuring samples that are new, compelling, and important to our understanding of A.Y. Jackson. Hunter's flair for narrative carries the reader along while Jackson's remarkable writing eloquently and movingly details his experiences as a veteran.” Irene Gammel, author of I Can Only Paint: The Story of Battlefield Artist Mary Riter Hamilton