Roland Barthes and Film: Myth, Eroticism and Poetics (Hardcover)

Roland Barthes and Film: Myth, Eroticism and Poetics By Patrick Ffrench, Lúcia Nagib (Editor), Tiago de Luca (Editor) Cover Image

Roland Barthes and Film: Myth, Eroticism and Poetics (Hardcover)


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Suspicious of what he called the spectator's "sticky" adherence to the screen, Roland Barthes had a cautious attitude towards cinema. Falling into a hypnotic trance, the philosopher warned, an audience can become susceptible to ideology and "myth". In this book, Patrick Ffrench explains that although Barthes was wary of film, he engaged deeply with it. Barthes' thought was, Ffrench argues, punctuated by the experience of watching films - and likewise his philosophy of photography, culture, semiotics, ethics and theatricality have been immensely important in film theory.

Focusing particularly on the essays 'The Third Meaning' and 'On Leaving the Cinema' and the acclaimed book Camera Lucida, Ffrench examines Barthes' writing and traces a persistent interest in films and directors, from Fellini and Antonioni, to Eisenstein, the Marx Brothers and Hitchcock. Ffrench explains that although Barthes found pleasure in "leaving the cinema" - disconnecting from its dangerous allure by a literal exit or by forcefully breaking the trance - he found value in returning to the screen anew. Barthes delved beneath the pull of progressing narrative and the moving image by becoming attentive to space and material aesthetics. This book presents an invaluable reassessment of one of the most original and subtle thinkers of the twentieth-century: a figure indebted to the movies.
Patrick ffrench is Professor of French at King's College London, where he teaches modern French literature and thought.
Product Details ISBN: 9781788310659
ISBN-10: 1788310659
Publisher: Bloomsbury Academic
Publication Date: October 17th, 2019
Pages: 328
Language: English