THE OVERSTORY, by Powers Please note: March meeting has been cancelled.

Daytime
Wednesday, March 18, 12:30 pm

The Daytime Book Group meets 3rd Wednesday of each month at 12:30 p.m. and reads mostly fiction new and old, and some nonfiction. The group meets at 5039 Connectitcut Ave in Condo 4.  The book group is led by Jeanie Teare jwteare4@gmail.com

The Overstory: A Novel By Richard Powers Cover Image

The Overstory: A Novel (Paperback)

$18.95


In Stock—Click for Locations
Politics and Prose at 5015 Connecticut Avenue NW
3 on hand, as of Oct 4 1:20pm
Politics and Prose at Union Market
3 on hand, as of Oct 4 1:33pm

April 2018 Indie Next List


“The Overstory, which contains an energy like that of the trees that link its intertwining stories, is nothing short of stunning. Such links between the human and non-human are mostly hidden to us, but only because we tend not to look very closely (or prefer not to see). Powers' most beautiful sentences are also the most devastating, which hints at the novel's hope that death - whether of a person or a plant - is never quite the end that it seems. Until, that is, we look, or prefer, finally, to see. As we are instructed near the novel's end, 'What you make from a tree should be at least as miraculous as what you cut down.' Plainly put: The Overstory is perhaps as close to such a miracle as we currently deserve.”
— Brad Johnson, East Bay Booksellers, Oakland, CA

Summer 2019 Reading Group Indie Next List


“I can’t stop thinking about this book! A sprawling, literary eco-epic, The Overstory is the kind of novel that changes people. It’s a riveting call to arms and a bitter indictment of our wasteful culture. More than that, it’s an incredibly human story with a huge cast of richly imagined characters that you’ll never forget. With writing that is dense but accessible, Powers is a master at intersecting science, art, and spirituality without sacrificing plot. I pity the next customer who comes into our store looking for ‘a book about trees’ because Powers has given me a lot to talk about.”
— Logan Farmer, Old Firehouse Books, Fort Collins, CO

Winner of the Pulitzer Prize in Fiction

Winner of the William Dean Howells Medal

Shortlisted for the Man Booker Prize

Over One Year on the New York Times Bestseller List

A New York Times Notable Book and a Washington Post, Time, Oprah Magazine, Newsweek, Chicago Tribune, and Kirkus Reviews Best Book of the Year



"The best novel ever written about trees, and really just one of the best novels, period." —Ann Patchett


The Overstory, winner of the 2019 Pulitzer Prize in Fiction, is a sweeping, impassioned work of activism and resistance that is also a stunning evocation of—and paean to—the natural world. From the roots to the crown and back to the seeds, Richard Powers’s twelfth novel unfolds in concentric rings of interlocking fables that range from antebellum New York to the late twentieth-century Timber Wars of the Pacific Northwest and beyond. There is a world alongside ours—vast, slow, interconnected, resourceful, magnificently inventive, and almost invisible to us. This is the story of a handful of people who learn how to see that world and who are drawn up into its unfolding catastrophe.



Richard Powers is the author of thirteen novels, including The Overstory and Orfeo, and the recipient of a MacArthur Fellowship, the Pulitzer Prize, and the National Book Award. He lives in the foothills of the Great Smoky Mountains.
Product Details ISBN: 9780393356687
ISBN-10: 039335668X
Publisher: W. W. Norton & Company
Publication Date: April 2nd, 2019
Pages: 512
Language: English
It changed how I thought about the Earth and our place in it.... It changed how I see things and that’s always, for me, a mark of a book worth reading.
— Barack Obama

The best book I’ve read in 10 years. It’s a remarkable piece of literature, and the moment it speaks to is climate change. So, for me, it’s a lodestone. It’s a mind-opening fiction, and it connects us all in a very positive way to the things that we have to do if we want to regain our planet.
— Emma Thompson

An ingeniously structured narrative that branches and canopies like the trees at the core of the story whose wonder and connectivity echo those of the humans living amongst them.
— citation from the Pulitzer Prize in Fiction

This book is beyond special.… It’s a kind of breakthrough in the ways we think about and understand the world around us, at a moment when that is desperately needed.
— Bill McKibben

A towering achievement by a major writer.
— Robert Macfarlane, author of Underland

Monumental… The Overstory accomplishes what few living writers from either camp, art or science, could attempt. Using the tools of the story, he pulls readers heart-first into a perspective so much longer-lived and more subtly developed than the human purview that we gain glimpses of a vast, primordial sensibility, while watching our own kind get whittled down to size.… A gigantic fable of genuine truths.

— Barbara Kingsolver - The New York Times Book Review

The best novels change the way you see. Richard Powers’s The Overstory does this. Haunting.

— Geraldine Brooks

This ambitious novel soars up through the canopy of American literature and remakes the landscape of environmental fiction.… Remarkable.
— Ron Charles - The Washington Post

The best novel ever written about trees, and really, just one of the best novels, period.
— Ann Patchett

Should be mandatory reading the world over.
— Emilia Clarke

THE OVERSTORY, by Powers

Daytime
Wednesday, February 19, 12:30 pm

The Daytime Book Group meets 3rd Wednesday of each month at 12:30 p.m. and reads mostly fiction new and old, and some nonfiction. The group meets at 5039 Connectitcut Ave in Condo 4.  The book group is led by Jeanie Teare jwteare4@gmail.com

The Overstory: A Novel By Richard Powers Cover Image

The Overstory: A Novel (Paperback)

$18.95


In Stock—Click for Locations
Politics and Prose at 5015 Connecticut Avenue NW
3 on hand, as of Oct 4 1:20pm
Politics and Prose at Union Market
3 on hand, as of Oct 4 1:33pm

April 2018 Indie Next List


“The Overstory, which contains an energy like that of the trees that link its intertwining stories, is nothing short of stunning. Such links between the human and non-human are mostly hidden to us, but only because we tend not to look very closely (or prefer not to see). Powers' most beautiful sentences are also the most devastating, which hints at the novel's hope that death - whether of a person or a plant - is never quite the end that it seems. Until, that is, we look, or prefer, finally, to see. As we are instructed near the novel's end, 'What you make from a tree should be at least as miraculous as what you cut down.' Plainly put: The Overstory is perhaps as close to such a miracle as we currently deserve.”
— Brad Johnson, East Bay Booksellers, Oakland, CA

Summer 2019 Reading Group Indie Next List


“I can’t stop thinking about this book! A sprawling, literary eco-epic, The Overstory is the kind of novel that changes people. It’s a riveting call to arms and a bitter indictment of our wasteful culture. More than that, it’s an incredibly human story with a huge cast of richly imagined characters that you’ll never forget. With writing that is dense but accessible, Powers is a master at intersecting science, art, and spirituality without sacrificing plot. I pity the next customer who comes into our store looking for ‘a book about trees’ because Powers has given me a lot to talk about.”
— Logan Farmer, Old Firehouse Books, Fort Collins, CO

Winner of the Pulitzer Prize in Fiction

Winner of the William Dean Howells Medal

Shortlisted for the Man Booker Prize

Over One Year on the New York Times Bestseller List

A New York Times Notable Book and a Washington Post, Time, Oprah Magazine, Newsweek, Chicago Tribune, and Kirkus Reviews Best Book of the Year



"The best novel ever written about trees, and really just one of the best novels, period." —Ann Patchett


The Overstory, winner of the 2019 Pulitzer Prize in Fiction, is a sweeping, impassioned work of activism and resistance that is also a stunning evocation of—and paean to—the natural world. From the roots to the crown and back to the seeds, Richard Powers’s twelfth novel unfolds in concentric rings of interlocking fables that range from antebellum New York to the late twentieth-century Timber Wars of the Pacific Northwest and beyond. There is a world alongside ours—vast, slow, interconnected, resourceful, magnificently inventive, and almost invisible to us. This is the story of a handful of people who learn how to see that world and who are drawn up into its unfolding catastrophe.



Richard Powers is the author of thirteen novels, including The Overstory and Orfeo, and the recipient of a MacArthur Fellowship, the Pulitzer Prize, and the National Book Award. He lives in the foothills of the Great Smoky Mountains.
Product Details ISBN: 9780393356687
ISBN-10: 039335668X
Publisher: W. W. Norton & Company
Publication Date: April 2nd, 2019
Pages: 512
Language: English
It changed how I thought about the Earth and our place in it.... It changed how I see things and that’s always, for me, a mark of a book worth reading.
— Barack Obama

The best book I’ve read in 10 years. It’s a remarkable piece of literature, and the moment it speaks to is climate change. So, for me, it’s a lodestone. It’s a mind-opening fiction, and it connects us all in a very positive way to the things that we have to do if we want to regain our planet.
— Emma Thompson

An ingeniously structured narrative that branches and canopies like the trees at the core of the story whose wonder and connectivity echo those of the humans living amongst them.
— citation from the Pulitzer Prize in Fiction

This book is beyond special.… It’s a kind of breakthrough in the ways we think about and understand the world around us, at a moment when that is desperately needed.
— Bill McKibben

A towering achievement by a major writer.
— Robert Macfarlane, author of Underland

Monumental… The Overstory accomplishes what few living writers from either camp, art or science, could attempt. Using the tools of the story, he pulls readers heart-first into a perspective so much longer-lived and more subtly developed than the human purview that we gain glimpses of a vast, primordial sensibility, while watching our own kind get whittled down to size.… A gigantic fable of genuine truths.

— Barbara Kingsolver - The New York Times Book Review

The best novels change the way you see. Richard Powers’s The Overstory does this. Haunting.

— Geraldine Brooks

This ambitious novel soars up through the canopy of American literature and remakes the landscape of environmental fiction.… Remarkable.
— Ron Charles - The Washington Post

The best novel ever written about trees, and really, just one of the best novels, period.
— Ann Patchett

Should be mandatory reading the world over.
— Emilia Clarke

DO NOT SAY WE HAVE NOTHING, by Thien

Daytime
Wednesday, January 15, 12:30 pm

The Daytime Book Group meets 3rd Wednesday of each month at 12:30 p.m. and reads mostly fiction new and old, and some nonfiction. The group meets at 5039 Connectitcut Ave in Condo 4.  The book group is led by Jeanie Teare jwteare4@gmail.com

Do Not Say We Have Nothing: A Novel By Madeleine Thien Cover Image

Do Not Say We Have Nothing: A Novel (Paperback)

$16.95


In Stock—Click for Locations
Politics and Prose at 5015 Connecticut Avenue NW
1 on hand, as of Oct 4 1:20pm

Winner of the Scotiabank Giller Prize and the Governor General's Literary Award // Finalist for the Man Booker Prize and the Baileys Women's Prize for Fiction



"A powerfully expansive novel…Thien writes with the mastery of a conductor." —New York Times Book Review


“In a single year, my father left us twice. The first time, to end his marriage, and the second, when he took his own life. I was ten years old.”


Master storyteller Madeleine Thien takes us inside an extended family in China, showing us the lives of two successive generations—those who lived through Mao’s Cultural Revolution and their children, who became the students protesting in Tiananmen Square. At the center of this epic story are two young women, Marie and Ai-Ming. Through their relationship Marie strives to piece together the tale of her fractured family in present-day Vancouver, seeking answers in the fragile layers of their collective story. Her quest will unveil how Kai, her enigmatic father, a talented pianist, and Ai-Ming’s father, the shy and brilliant composer, Sparrow, along with the violin prodigy Zhuli were forced to reimagine their artistic and private selves during China’s political campaigns and how their fates reverberate through the years with lasting consequences.


With maturity and sophistication, humor and beauty, Thien has crafted a novel that is at once intimate and grandly political, rooted in the details of life inside China yet transcendent in its universality.



Madeleine Thien is the author of three novels and a collection of stories, and her work has been translated into twenty-five languages. Her most recent novel, Do Not Say We Have Nothing, was shortlisted for the 2016 Man Booker Prize. She lives in Montreal, Canada.
Product Details ISBN: 9780393354720
ISBN-10: 0393354725
Publisher: W. W. Norton & Company
Publication Date: October 3rd, 2017
Pages: 496
Language: English
This is a moving and extraordinary evocation of the 20th-century tragedy of China, and deserves to cement Thien’s reputation as an important and compelling writer.
— Guardian

Extraordinary…It recalls the panoramic scale and domestic minutiae of the great 19th-century Russian writers…[A] highly suspenseful drama…as courageous and principled as resistance itself.
— Financial Times

[A] graceful, intricate novel whose humanity threads through it like a stirring melodic line.
— Sam Sacks - The Wall Street Journal

A magnificent epic of Chinese history, richly detailed and beautifully written.
— The Times

Powerful.
— The New Yorker

A deeply profound and moving tale where music, mathematics and family history are beautifully woven together in a poetic story…Full of wisdom and complexity, comedy and beauty, Thien has delivered a novel that is both hugely political and severe, but at the same time delicate and intimate, rooted in the tumultuous history of China.
— Herald

Music is at the center of this ambitious saga of totalitarian China, where classical musicians were persecuted during the Maoist Cultural Revolution…Thien’s intricate narrative slowly lays bare the lives of three musical friends living through a totalitarian era when serious music had to survive driven underground, like forbidden love.
— Sunday Times

A splendid writer.
— Alice Munro

Imagination, Nabokov says, is a form of memory. Do Not Say We Have Nothing is a perfect example of how a writer’s imagination keeps alive the memory of a country’s and its people’s past when the country itself tries to erase the history. With insight and compassion, Madeleine Thien presents a compelling tale of China of twentieth century.

— Yiyun Li, author of The Vagrants

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