DEATH AND THE PENGUIN, by Kurkov NOTE: Meeting Online Meeting Online for Feb titles read one or both
Daytime
Wednesday, February 15, 12:30 pm
The Daytime Book Group meets 3rd Wednesday of each month at 12:30 p.m. and reads mostly fiction new and old, and some nonfiction. The group meets online. For info to join meetings please contact Jeanie Teare jwteare4@gmail.com
"No summary can do justice to the strange appeal of this unusual, short book, which is at once a crime novel, a comic novel and a serious political satire on contemporary Ukraine." —Anne Applebaum, The Wall Street Journal
With the collapse of the Soviet Union, newly-free Ukraine is a shell-shocked land . . .
In poverty-and-violence-wracked Kyiv, unemployed writer Viktor Zolotaryov leads a down-and-out life with his only friend, Misha, a penguin that he rescued when the local zoo started getting rid of animals it couldn't feed. Even more nerve-wracking for Victor: a local mobster has taken a shine to Misha and wants to borrow him for events.
But Viktor thinks he’s finally caught a break when he lands a well-paying job at the Kyiv newspaper writing “living obituaries” of local dignitaries—articles to be filed for use when the time comes.
The only thing is, the time always seems to come as soon as Viktor finishes writing the article. Slowly understanding that his own life may be in jeopardy, Viktor also realizes that the only thing that might be keeping him alive is his penguin.
With the collapse of the Soviet Union, newly-free Ukraine is a shell-shocked land . . .
In poverty-and-violence-wracked Kyiv, unemployed writer Viktor Zolotaryov leads a down-and-out life with his only friend, Misha, a penguin that he rescued when the local zoo started getting rid of animals it couldn't feed. Even more nerve-wracking for Victor: a local mobster has taken a shine to Misha and wants to borrow him for events.
But Viktor thinks he’s finally caught a break when he lands a well-paying job at the Kyiv newspaper writing “living obituaries” of local dignitaries—articles to be filed for use when the time comes.
The only thing is, the time always seems to come as soon as Viktor finishes writing the article. Slowly understanding that his own life may be in jeopardy, Viktor also realizes that the only thing that might be keeping him alive is his penguin.
Andrey Kurkov, born in St. Petersburg in 1961, now lives in Kiev. Having graduated from the Kiev Foreign Languages Institute, he worked for some time as a journalist, did his military service as a prison warder at Odessa, then became a film cameraman, writer of screenplays, and author of critically acclaimed and popular novels. He is the author of Penguin Lost, a sequel to Death and the Penguin, and The Case of the General's Thumb.
George Bird has translated extensively from German and Russian. In 1986 he won the Pluto Crime Prize for his novel Death in Leningrad.
George Bird has translated extensively from German and Russian. In 1986 he won the Pluto Crime Prize for his novel Death in Leningrad.
Praise for Death and The Penguin
"No summary can do justice to the strange appeal of this unusual, short book, which is at once a crime novel, a comic novel and a serious political satire on contemporary Ukraine." —Anne Applebaum, The Wall Street Journal
"Death and the Penguin comes across as an almost perfect little novel ... fast-paced and witty and on the side of the angels." —John Powers, NPR's Fresh Air
“Pathos and humor shine through to make this a black comedy of rare distinction, and the penguin is an invention of genius.” —The Spectator
“A striking portrait of post-Soviet isolation. . . . In this bleak moral landscape Kurkov manages to find ample refuge for his dark humor.” —The New York Times
"No summary can do justice to the strange appeal of this unusual, short book, which is at once a crime novel, a comic novel and a serious political satire on contemporary Ukraine." —Anne Applebaum, The Wall Street Journal
“Delicious... when Viktor finally finds Misha it is as if Woody Allen had gone to meet Kurtz.” —The Spectator
“The deadpan tone works perfectly, and it will be a hard-hearted reader who is not touched by Viktor’s relationship with his unusual pet.” —The Times (London)
"Misha, the most memorable character of his thriller Death and the Penguin, left web-footed prints all over my imagination" —NPR
“I loved the f*ck out of it.” —Paul Constant, The Stranger
“Death and the Penguin successfully balances the social awkwardness of Woody Allen, the absurd clashes of Jean-Luc Godard and the escalating paranoia of Franz Kafka.”
—Vikas Turakias, The Cleveland Plain Dealer
"No summary can do justice to the strange appeal of this unusual, short book, which is at once a crime novel, a comic novel and a serious political satire on contemporary Ukraine." —Anne Applebaum, The Wall Street Journal
"Death and the Penguin comes across as an almost perfect little novel ... fast-paced and witty and on the side of the angels." —John Powers, NPR's Fresh Air
“Pathos and humor shine through to make this a black comedy of rare distinction, and the penguin is an invention of genius.” —The Spectator
“A striking portrait of post-Soviet isolation. . . . In this bleak moral landscape Kurkov manages to find ample refuge for his dark humor.” —The New York Times
"No summary can do justice to the strange appeal of this unusual, short book, which is at once a crime novel, a comic novel and a serious political satire on contemporary Ukraine." —Anne Applebaum, The Wall Street Journal
“Delicious... when Viktor finally finds Misha it is as if Woody Allen had gone to meet Kurtz.” —The Spectator
“The deadpan tone works perfectly, and it will be a hard-hearted reader who is not touched by Viktor’s relationship with his unusual pet.” —The Times (London)
"Misha, the most memorable character of his thriller Death and the Penguin, left web-footed prints all over my imagination" —NPR
“I loved the f*ck out of it.” —Paul Constant, The Stranger
“Death and the Penguin successfully balances the social awkwardness of Woody Allen, the absurd clashes of Jean-Luc Godard and the escalating paranoia of Franz Kafka.”
—Vikas Turakias, The Cleveland Plain Dealer
“A novel in verse that spans the length of time it takes for an elevator to descend, Long Way Down finds Will mourning the death of his brother and grappling with the burden of avenging his murder. Will’s grief permeates every page, from his recollections of everyday childhood memories to his encounters with other figures from his past whose lives were destroyed by gun violence. Jason Reynolds says more with a stanza than most authors can say with a chapter.”
